What are you working on now and how does the piece in Conflux relate?
Right now I’m working on an off-the-grid (solar-powered) performance space near the Bonneville Salt Flats in Utah. It doesn’t have a name yet, but it’s an old movie-prop tower about forty feet tall, so the working title I use is simply “The Tower.” The work will span a quarter mile or more of space. The booklet I’m sharing at Conflux (“GET LOST!”) is very tiny, but both projects ask you to become a performer, even if you’re just doing something like lying on the ground in a place where most people wouldn’t normally do that. I’m not a “performative person” but I like to think the world could use a little more weird.
What interests you in working in public space? What are some of the challenges you face making public work?
What people do in public space is quite regimented, but everybody knows just about anything can happen. A good example is the “In case I get hit by a bus” trope. Nobody says “In case I have a heart attack clicking the ‘Like’ button on Facebook,” even though those odds are probably better. Your computer feels safe. The outside and other people feel dangerous. This fear of anything and everything happening to us while out in the world creates a lot of informal social agreements about how we’re to behave in that world—like walking on the proper side of the sidewalk. These agreements are ripe material for artists interested in engaging people in this terrain. The challenge then is how to crack open those informal agreements in—I’ll use a Dungeons and Dragons alignment term here—a “Chaotic Good” way, a way that disrupts the flow of the day in unexpected but ultimately pleasurable and insightful ways.
Any great adventures you’ve been on recently?
I made a visit to the Black Hole in Los Alamos, New Mexico, the other day, right before the liquidation sale. I spent the day digging through some of the most amazing and threatening electronic and machine surplus in the world. I can’t imagine a better way to spend a day. I must have asked “What is that?” to myself about a thousand times. It’s a question I should ask more often.